On a recent trip to Italy, I visited Assisi, one of my favorite cities in all the world. Assisi is the charming medieval hill town where Saint Francis was born. Thanks to local building regulations, much of the 14th century town is preserved.
I was strolling around the back streets away from the usual tourist spots when I noticed women sitting in front of their houses embroidering in a style I had never seen before. They were filling in the background with an unusual type of cross stitch and the motifs were only outlined with a running stitch. The interior of the motifs were left plain or “void.” This style is the opposite of the needlework I did as a child, where I embroidered the motifs and left the background plain. It was beautifully worked. The designs were rather strange like the medieval symbology which you see everywhere in the churches in Italy.
What Is Assisi Embroidery?
Assisi embroidery is counted-thread embroidery based on a medieval Italian tradition where the motifs are outlined in a double running (Holbein) stitch, leaving the interior void. In the earliest work, the stitches were not counted. The design was just drawn freely on the linen.
Traditionally, the background was densely filled with long-armed cross stitch. Normal cross stitch is also used.
The actual design is made by the unworked ground fabric. This “negative” effect gives Assisi needlework a woodcut quality that I find very rich and unique.
Unique Characteristics of Assisi Embroidery
The following characteristics make Assisi Embroidery so powerful and charming, and distinguish it from other voided styles.
Traditional motifs were based on medieval symbology featuring grotesque figures of satyrs, demons, ancient mythical birds and animals, beasts. Other patterns look like flowers, branches, leaves, fruit. Often a candelabra design is used to separate the mirrored motifs. The designs are often beautiful and very mysterious. Earlier designs from the 13th and 14th centuries are more primitive, rugged. In the 15th and 16th centuries, they became more sophisticated and natural.
The motifs are laid out in symmetrical pairs surrounded by elaborate scrollwork. Some motifs are used to connect different parts of the design so that there is never a lot of empty space. Often these motifs are designed in a very beautiful way that draws the eye to the main motifs. The repetition and symmetry of the motifs give movement and rhythm to the piece.
The top and bottom of the design was usually bordered by repeating geometric or flower motifs. The borders are worked in a straight stitch with an occasional cross stitch. The color is usually the same color as the background.
Assisi embroidery is worked in only two colors – one color for the background and a contrasting color to outline the motifs. Traditionally red, blue, green or gold was used for the background with black or brown outlines.
Modern Assisi Embroidery
Table cloth worked by Signora Antonietta Mancinelli

History of Assisi Embroidery
Italy has a long tradition of embroidery and other handicrafts. In the 13th century, an embroidery style was created in the convents probably by the Poor Clares that became the basis for Assisi embroidery. The motifs were voided on fine linen cloth with the outlines and background embroidered with colored silk. These articles were used for religious purposes such as altar cloths and chasubles.
By the 16th century, Assisi embroidery had become very popular and spread into the secular community. However, it fell into decline and many of the designs and motifs were lost in the eighteenth century.
After the new state of Italy was founded in 1861, a movement was started to rediscover and revive traditional handicrafts and provide employment to poor women. in 1902, the “Laboratorio Ricreativo Festivo Feminale San Francisci di Assisi” was founded in Assisi to accomplish these goals. They took the traditional embroidery techniques and simplified them. Embroidery cotton was used instead of silk. The outlines were counted instead of drawn freely on the cloth. The designs and complicated borders were simplified or new designs created. The background was done in simple cross stitch. The color schemes remained the same.
This cottage industry flourished and the more modern designs spread throughout Italy, Europe and rest of the world. In Assisi, the traditional style is still alive and you can see local women sitting in front of their houses and embroidering for the local co-operative embroidery shop.
Are you interested in hand embroidery?
I hope you enjoyed leaning something about this fascinating embroidery style as much as I did. Please leave a comment. I’d love to know what kind of embroidery you do and what you think about Assisi embroidery.

{ 6 comments… read them below or add one }
Im wondering if the pattern for this piece is available somewhere?
Hi Liz, I’ve never seen patterns for these pieces. There are some simple patterns on the web. Try searching. The first two pieces are from a book that also gives instructions. It’s in the public domain and you can download it for free from here: http://www.cs.arizona.edu/patterns/weaving/books.html#D. There are a lot of old embroidery books on that page. Look for the entry that says: Dillmont, Thérèse de. Assisi Embroideries, DMC Library, 39 pages. Posted August 1, 2007. SAMPLE PAGE. REVIEW. Part 1: File size 10.5 MB PDF. Part 2: File size 12.0 MB PDF. Hope this helps, Blessings, Kamala
Hi Kamala,
Great photos! I recognise the 2nd and 3rd embroideries from the DMC book. From where did you source the gryphon (?) and the seahorse (?) images?
I’m researching everything to do with Assisi embroidery before embarking on my next project. I love the strong design quality of Assisi, and the fantastical aspect with the mystical beats, and the religious association with St. Francis. My secret hope is to find a musical Assisi design. Maybe I’ll just have to draw up my own!
Cheerfully,
Carol
Hi Carol, Yes, the first two are traditional from the DMC book. The tablecloth and pillow are modern by members of the Embroidery Academy in Assisi. I’ve never seen a traditional musical motif. Blessings, Kamala
I’ve done a couple of small pieces of Assisi style work – made a card based on a rose design and two bookmarks (one with butterflies, the other with the recipient’s name) out of them. Quite enjoyable!=)
Hi Elizabeth,
Thanks for stopping by. I just had a look at your Blog. Your work is gorgeous and very inspiring. I’m wanting to get back into hand embroidery which I haven’t done since I was a child. And update this blog with my progress.